Determined

Not bad overall! I agree that the wing is probably the most awkward part about this, though I can see why it'd be difficult to draw from this perspective. One thing I want to suggest is to not be afraid of morphing parts together - as an example, I'll look at the fur under the neck. Instead of separating the neckline and fur with just a line, use a few strokes along the line to indicate that the fur doesn't just neatly and perfectly starts in one place (especially for a wild creature, whose fur may not be usually neat anyway - they'll have different lengths of fur; think of layered hair, for instance). Does that make sense? This also applies to the wing, in the case that you can see where it's attached to the body.